A weekly round-up of my favorite preservation related stories from around the web and in the news. Click on the title of each story to jump through to the original article/blog post.
I don’t know that these principles are necessarily forgotten or that they existed only in mid-century design, but they are definitely rare these days. You don’t see many mcmansions with small cozy bedrooms, naturally scaled proportions, or interiors that really invite the outside in.
The hit AMC series Breaking Bad builds a highly textured and believable reality by using real sites in and around Albuquerque, NM. The blogger at Four Dirty Paws tracked down some of the places featured in the series, including the unique mid-century car wash owned by Walt and Skylar and the quirky Dog House Drive Thru. If you are a fan, check it out!
Reversal of Fortune – 99% Invisible
“I fell in love with architecture on the Chicago River. It provides a beautiful vantage point to take in all the marvelous skyscrapers. Unlike other cities that cram you on the sidewalk between looming towers. The Chicago River pushes buildings apart, giving you the opportunity to really take in the city’s glory in glass, steel, and concrete. But Chicago’s biggest design achievement isn’t a building at all—it’s the Chicago River itself.” The REVERSED it’s flow!
“A few days ago Colleen Theisen who helps with outreach and instruction at the Special Collections & University Archives at the University of Iowa shared an amazing gif she made that demonstrates something called fore-edge painting on the edge of a 1837 book called Autumn by Robert Mudie. Fore-edge painting, which is believed to date back as early as the 1650s, is a way of hiding a painting on the edge of a book so that it can only be seen when the pages are fanned out. There are even books that have double fore-edge paintings, where a different image can be seen by flipping the book over and fanning the pages in the opposite direction.”
GHF 2.0 – Time Tells
“Now of course I screamed and shouted to save buildings, but for over thirty years I have understood preservation/conservation to be an economic strategy. I recognize the distinction between the museum and the everyday to be an artificial distinction. You can raise money to preserve a museum piece, to be sure, but you need to keep raising that money – forever. I soon realized that the majority of preservation happens not by removing objects from our everyday and our economy, but by placing them at the center of our everyday economy. By exploiting their use value”